Taesan and Dongju are a long-time couple. As they prepare to move, they find an old sofa on the street and bring it home. Their cramped apartment, now filled with the sofa, the couple preparing for their move, and their dreams, are depicted with an air of detachment. The film captures their emotions with a unique rhythm, floating in the air.

Yeonseok, the head of a household, suffers from insomnia. The cause of his insomnia is the monster under the couch. People around him laugh, dismissing it as a nightmare that only children would fear. Even Yeonseok is unsure whether the monster is real or just a figment of his imagination. Then one day, Yeonseok comes face to face with the monster under the couch.

What kind of dream are three people dreaming of in dreamy and beautiful Madagascar? A photographer who takes passport photos at a small local photo studio but dreams of going to Africa to take family photos. 　　A thirdrate cabaret singer and a street vendor who support his dream. A road movie about three people traveling around Madagascar, Africa, to achieve their own dreams.

On a cloudy summer day, Mizo and Modu encounter a large rock that supposedly grants wishes, during their Cub Scout activities. After that day, Modu disappears without a trace. Mizo searches for Modu every day, but to no avail. Then one day, after a long time has passed, Modu returns to Mizo, and says, "I want to be a rock."

暂无剧情简介

Nonostante lavori come Istruttrice dell’Educazione per la Consapevolezza delle Disabilità, Hyun-jeong non riesce ad accettare la disabilità intellettiva di sua figlia.

건은 어릴 적 자신을 두고 떠난 지철이라는 둥지를 찾아 나선다.

Director Yeo Hong, who dreams of becoming the second Bong Joon-ho, and actor Joo Yeon, who dreams of becoming star are contacted by a film festival.

Just 0.2 seconds after a sound wave reaches the cochlea, the brain interprets the vibrations as a sound with unique qualities of distance, direction and speed. The emotions and meanings we attach to each sound are subjective. 　　Hyejin Jung realized this when she started hearing a constant buzzing in her right ear. Her doctor's explanation was that her ear was becoming a machine. While at the hospital she met Somchai, a construction worker with the same complaint, and they started to compare the ways their bodies sound on the inside. 　　In this fusion of medical reporting, societal reflection, soundscape, and personal poetic self-examination Jung reveals through image and sound just how thin the dividing line is between sound and noise. Going beyond her own, individual experience—which ranges from mind-blowing to claustrophobic—she argues that the powers that be regard the voices of marginalized people (who often perform work that causes hearing damage) as noise, and combat it as such.